Discussion, Joy C Martindale, New Work, painting

Plumb Line

Image 1: Untitled by Joy C Martindale (April 2021), acrylic on paper, 36x26cm

Looking at this painting sketch I am reminded of Joan Mitchell. In many of her works you will find a central trunk like form and growing out from this limbs of paint that are comparable to the boughs of a tree. 

Consider for example Bracket (by Joan Mitchell, 1989). Prudence Peiffer describes this set of relationships and their effect aptly as ‘like a top, these vertical lines centre the work’s spin’* and Joan Mitchell herself talks of a plumb line. ‘I want them to hold one image ‘ she said, ‘despite all the activity. It’s a kind of plumb line dancers have’**

Image 2

Image 3
Image 4
Image 5
Image 6

Image 1: Untitled by Joy C Martindale (April 2021), 36x26cm

Image 2: Brackett (1989) Oil on canvas by Joan Mitchell, Image sourced from joanmitchellfoundation.org

Images 3,4,5 and 6 pages from Joan Mitchell, Selected Paintings, The Presence of an Absence, Essay by Nathan Kernan, Cheim and Read, New York 2002

*http://www.artforum.com/print/reviews/201701/joan-mitchell-65439

**Marcia Tucker, Joan Mitchell, (exhibition catalogue) New York: Whitney Museum of American Art, 1974), p9

Standard
Art, Article, Joy C Martindale, New Work, painting

Sensation In Print

What helped you get through the most recent lockdown?

I turned to music and had the radio on for most of the day, every day! I found music provided a much needed form of escapism.

In my current practice I am exploring the act of making art as a liberating gesture.  The various positive sensations of pleasure, calm, elation and catharsis that listening to music gives me, as I paint and draw in my studio, collide and combine with all the other sensations I am experiencing at that moment and are translated directly into my painting. From music – to my body and mind’s response – to the painting, to the viewer experiencing the work, is a chain of sensations. These chains of sensations connect us to each other and help us make sense of our realities, as Haruki Murakami explains so eloquently here:

“Because memory and sensations are so uncertain, so biased, we always rely on a certain reality-call it an alternate reality-to prove the reality of events. To what extent facts we recognize as such really are as they seem, and to what extent these are facts merely because we label them as such, is an impossible distinction to draw. Therefore, in order to pin down reality as reality, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the very maintenance of this chain that produces the sensation that we are actually here, that we ourselves exist.”

Haruki Murakami, South of the Border, West of the Sun

You can see a painting I made about this on the cover of the latest issue of Savage Journal, Issue #13 Sensation. Savage Journal is UCL’s Arts and Culture Journal – Read it online or pick up a copy for free from the UCL campus.

Cover Art: Sing To Me I (January 2021) by Joy C Martindale, oil pencil, watercolour, acrylic and gouache on gesso on wood panel, 30.5cm x 41 x 2.2cm
Sing To Me II (January 2021) by Joy C Martindale, oil pencil, watercolour, acrylic and gouache on gesso on wood panel, 30.5cm x 41 x 2.2cm
Standard
Art, Joy C Martindale, New Work, painting, Personal histories

Sing To Me (2021)

Sing To Me II (2021)
Sing To Me I (2021)

In my current practice I am exploring the act of making art as a liberating gesture. The title ‘Sing To Me‘ refers to the essential escapism music has provided me during the Covid-19 lockdowns. The various positive sensations of pleasure, calm, elation and catharsis listening to music gives me, as I paint and draw in my studio collide and combine with all the other sensations I am experiencing at that moment and are translated directly into my painting. From music – to my body and mind’s response – to the painting, to the viewer experiencing the work, is a chain of sensations. These chains of sensations connect us to each other and help us make sense of our realities, as Haruki Murakami explains so eloquently here:

“Because memory and sensations are so uncertain, so biased, we always rely on a certain reality-call it an alternate reality-to prove the reality of events. To what extent facts we recognize as such really are as they seem, and to what extent these are facts merely because we label them as such, is an impossible distinction to draw. Therefore, in order to pin down reality as reality, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the very maintenance of this chain that produces the sensation that we are actually here, that we ourselves exist.”Haruki Murakami, South of the Border, West of the Sun

Standard
Art, Community, Event, exhibition, fabric, Joy C Martindale, New Work

Trailblazers

Trailblazers-eflyer

Trailblazers

Exhibition Announcement! Visit Walmer Castle in Kent to see my show Trailblazers.

Trailblazers is a new participatory artwork – the exciting outcome of my project working with young people who are supported by Kent Refugee Action Network (KRAN).

Trailblazers

29th February – 19th April 2020

Walmer Castle

Kingsdown Road, Walmer, Deal, Kent, CT14 7LJ

This project has been funded by a National Lottery Arts Council Project grant and National Lottery Heritage Funding, and forms part of English Heritage’s Re-Discovering Walmer’s Lost Pleasure Grounds project.

 

 

 

 

 

 

 

 

 

 

 

 

 

Standard