Looking at this painting sketch I am reminded of Joan Mitchell. In many of her works you will find a central trunk like form and growing out from this limbs of paint that are comparable to the boughs of a tree.
Consider for example Bracket (by Joan Mitchell, 1989). Prudence Peiffer describes this set of relationships and their effect aptly as ‘like a top, these vertical lines centre the work’s spin’* and Joan Mitchell herself talks of a plumb line. ‘I want them to hold one image ‘ she said, ‘despite all the activity. It’s a kind of plumb line dancers have’**
Image 1: Untitled by Joy C Martindale (April 2021), 36x26cm
Image 2: Brackett (1989) Oil on canvas by Joan Mitchell, Image sourced from joanmitchellfoundation.org
Images 3,4,5 and 6 pages from Joan Mitchell, Selected Paintings, The Presence of an Absence, Essay by Nathan Kernan, Cheim and Read, New York 2002
**Marcia Tucker, Joan Mitchell, (exhibition catalogue) New York: Whitney Museum of American Art, 1974), p9