The title of this work is a quote from the writer Salena Godden whose mother always told her to go where the love is. By this she meant surround yourself with positivity and spend time with people who believe in you and what you are trying to do.
When I heard these words I took them into my heart – I thought these words can help me as I try to find my way as an artist and a painter.
I think the advice is particularly good because it is also saying in life there will be many moments when you might not be understood or valued and when this happens don’t waste time, move on and seek others who will help you to be your best self.
📣 I am delighted to announce the launch of my new community outreach project: Nice To Meet You / Som Rado Hoij Tumen Spindzardom.
For this project I will be working with Roma women living in Dover. We will collaborate over a series of workshops to create artworks that will be exhibited at Turner Contemporary in March 2022.
I can’t wait to meet the participants and learn more about Roma culture and heritage.
🦋Follow #nicetomeetyou to join us on our creative journey.🦋
This project has been made possible by National Lottery supported Arts Council England grant funding and a grant from Counterpoint Arts.
I have been listening to Der Abschied, the closing part of The Song of The Earth by Gustav Mahler. The songs in Song of The Earth, a composition for two voices and an orchestra, are based on several poems written by poets of the Tang dynasty.
This particular version was conducted in 1952 by his friend Bruno Walter. It is a moving piece made all the more powerful once you learn that Mahler didn’t live to hear the work performed.
Kathleen Ferrier’s contralto voice is incredible and sadly she was gravely ill with cancer when she performed it for this recording. She died the following year aged just 41.
Tragic, beautiful and addictive listening!
The Song of The Earth (July 5th 2021), oil pastel and chalk on paper by Joy C Martindale
Everywhere The Lovely Earth Blossoms Forth (July 2021), soft pastel, oil pastel and acrylic on paper
This piece continues my project responding to recordings of The Song of the Earth. For this work I listened to a version conducted by Long Yu which pairs Mahler’s symphonic song-cycle with contemporary compositions by Xiaogang Ye that draw on the texts in the original Mandarin.
The title ‘Everywhere the Lovely Earth Blossoms Forth’ is a line from Mahler’s version of The Song of the Earth. The songs talk of the beauty of the earth but the words today take on a new troubling poignancy as our awareness grows of the destruction the human race has unleashed on the natural world.
Man-made climate change threatens us all with developing countries and the poor currently facing the greatest threat. How can we work together to create a fairer and more sustainable future? Art can provide new and unexpected routes into reflective dialogue that brings the heart and soul into engagement with tackling climate change issues.
“There’s a guy I worked with in Canada who once told me important issues first go into your head and that’s interesting and fascinating. Then they go into your heart and that’s exciting, then into your gut, which is really worrying, and then into your soul.
“When it goes into your soul, you can’t get it out, no matter how much you try, and you have to do something about it.
“I think that’s what happened to me with climate change. First of all, I found it fascinating, then it was all very exciting to try and understand and see where it was happening, then it was really troubling. Now it’s in my soul and that’s what gets me out of bed every day.”
Image 1: Untitled by Joy C Martindale (April 2021), acrylic on paper, 36x26cm
Looking at this painting sketch I am reminded of Joan Mitchell. In many of her works you will find a central trunk like form and growing out from this limbs of paint that are comparable to the boughs of a tree.
Consider for example Bracket (by Joan Mitchell, 1989). Prudence Peiffer describes this set of relationships and their effect aptly as ‘like a top, these vertical lines centre the work’s spin’* and Joan Mitchell herself talks of a plumb line. ‘I want them to hold one image ‘ she said, ‘despite all the activity. It’s a kind of plumb line dancers have’**
Image 2
Image 3
Image 4
Image 5
Image 6
Image 1: Untitled by Joy C Martindale (April 2021), 36x26cm
Image 2: Brackett (1989) Oil on canvas by Joan Mitchell, Image sourced from joanmitchellfoundation.org
Images 3,4,5 and 6 pages from Joan Mitchell, Selected Paintings, The Presence of an Absence, Essay by Nathan Kernan, Cheim and Read, New York 2002
SAVAGE Journal have released their SAVAGE postcard exhibition! Posted is a set of 15 postcards featuring the work of UCL artists, spanning photography, painting, collage, sculpture, drawing and performance.
☀️Included in the set is my painting Sing To Me.☀️
The postcards are available to buy from the UCL Student Union shop, with half of proceeds donated to Mind.
What helped you get through the most recent lockdown?
I turned to music and had the radio on for most of the day, every day! I found music provided a much needed form of escapism.
In my current practice I am exploring the act of making art as a liberating gesture. The various positive sensations of pleasure, calm, elation and catharsis that listening to music gives me, as I paint and draw in my studio, collide and combine with all the other sensations I am experiencing at that moment and are translated directly into my painting. From music – to my body and mind’s response – to the painting, to the viewer experiencing the work, is a chain of sensations. These chains of sensations connect us to each other and help us make sense of our realities, as Haruki Murakami explains so eloquently here:
“Because memory and sensations are so uncertain, so biased, we always rely on a certain reality-call it an alternate reality-to prove the reality of events. To what extent facts we recognize as such really are as they seem, and to what extent these are facts merely because we label them as such, is an impossible distinction to draw. Therefore, in order to pin down reality as reality, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the very maintenance of this chain that produces the sensation that we are actually here, that we ourselves exist.”
You can see a painting I made about this on the cover of the latest issue of Savage Journal, Issue #13 Sensation. Savage Journal is UCL’s Arts and Culture Journal – Read it online or pick up a copy for free from the UCL campus.
Cover Art: Sing To Me I (January 2021) by Joy C Martindale, oil pencil, watercolour, acrylic and gouache on gesso on wood panel, 30.5cm x 41 x 2.2cmSing To Me II (January 2021) by Joy C Martindale, oil pencil, watercolour, acrylic and gouache on gesso on wood panel, 30.5cm x 41 x 2.2cm
Slightly Happier(Dec 2020), gouache and acrylic on paper, by Joy C Martindale, 41 x 31cm
When was the last time you felt happy?
My children have just discovered The Fresh Prince of Bel-Air and I felt happy when I laughed myself into hysterics at a funny scene. Does that count?
I felt happy yesterday when I was on a train reading a magazine. I was reading that visitors to the artist Lala Rukh’s house were greeted by ‘two unmistakable seasonal smells: in winter, log-fire smoke and in summer, jasmine and lime wafting in from the garden.’* One sentence was enough to transport me there. The feeling of happiness that came with it was strong but momentary, does that count? In this strange and unsettling time, which has impacted on every aspect of our lives, I think it has to.
I think it is possible to equate positive emotional experiences – those little, everyday mood boosting moments that bring us joy – to happiness. Before the pandemic, perhaps happiness was something that shined with promise on the horizon; a state of being that could be obtained if we worked hard enough for it, but now when the future has become an unknown quantity and our focus has been pulled up short, it is our day-to-day experiences that we feel most acutely attuned to. With this has come a greater awareness of our moods and the fleetingness of them. Think of all the moods you can be in all in one day – an anxious mood, a sad mood, an angry mood, a calm mood, a dreamy mood and so on. Something positive that can come out of this imposed day-to-day existence could be the realisation that if we can let go of the pursuit of happiness as a panacea, we may become more open to acknowledging those nuggets of happiness we are already experiencing in our everyday lives.
So, even when we might feel sad, lonely, anxious or unhappy as we have probably all felt at some point during the pandemic, it is possible to experience happiness as part of these emotional experiences too.
More reading: Dr Daisy Fancourt and Research Fellow Alex Bradbury (UCL Epidemiology & Health) have tracked the everyday experiences of 70,000 people asking them each week how they are feeling.
In my current practice I am exploring the act of making art as a liberating gesture. The title ‘Sing To Me‘ refers to the essential escapism music has provided me during the Covid-19 lockdowns. The various positive sensations of pleasure, calm, elation and catharsis listening to music gives me, as I paint and draw in my studio collide and combine with all the other sensations I am experiencing at that moment and are translated directly into my painting. From music – to my body and mind’s response – to the painting, to the viewer experiencing the work, is a chain of sensations. These chains of sensations connect us to each other and help us make sense of our realities, as Haruki Murakami explains so eloquently here:
“Because memory and sensations are so uncertain, so biased, we always rely on a certain reality-call it an alternate reality-to prove the reality of events. To what extent facts we recognize as such really are as they seem, and to what extent these are facts merely because we label them as such, is an impossible distinction to draw. Therefore, in order to pin down reality as reality, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the very maintenance of this chain that produces the sensation that we are actually here, that we ourselves exist.”Haruki Murakami, South of the Border, West of the Sun
joy c martindale 