Art, exhibition, Joy C Martindale, New Work, painting

Birds Are The Opposite of Time

Birds Are The Opposite of Time (2022) by Joy C Martindale, Acrylic on Paper, 28x38cm

This is the companion piece to the work I showed in Material Presence Part 1 at Fitzrovia Gallery last week.  

It is part of a larger body of work called Birds Are The Opposite of Time  – a project I developed whilst listening to Quatuor Pour La Fin Du Temps (Quartet for The End of Time) by Olivier Messiaen. The work was composed in a prisoner of war camp in 1940 and was inspired by the Apocalypse as it is described in the Book of Revelation. The title, Birds are the Opposite of Time, is taken from Messiaen’s notes on part III of the work – Abyss of the Birds: ‘The Abyss, which is Time, with its sadness and weariness. The birds are the opposite of Time: they represent our desire for light, for stars, for rainbows and for jubilant song.’ Messiaen was a passionate ornithologist and in the same way he saw music and birds as being the opposite of time as it marks out the finiteness of life, I see artmaking as being the opposite. Painting is an expression of my inner life, which feels infinite in its formless constancy to my sense of being. 
I am seeking to create a feeling of vitality  and performance when I make a painting and I am driven by a sense of compulsion and necessity. Aspiring to develop new language I work in an exploratory way, learning as much from failures and mistakes as discoveries. 

The Finissage of Material Presence Part 2 is today, 26th November, 12-5pm at Fitzrovia Gallery and the last day of the exhibition is tomorrow (10am-3pm)  

The exhibition features paintings and sculpture by talented artists from the Turps Correspondence Course of 2021-2022

Material Presence
Fitzrovia Gallery
139 Whitfield St, 
London 
W1T 5EN

Birds Are The Opposite of Time (2022) by Joy C Martindale, Acrylic on paper

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Art, exhibition, Joy C Martindale, New Work, painting

Material Presence

I’m really excited to be exhibiting in Material Presence, which opens today at Fitzrovia Gallery!

The exhibition features contemporary paintings and sculpture by talented artists from the Turps Correspondence Course of 2021-2022.

Material Presence

Fitzrovia Gallery
139 Whitfield St, London W1T 5EN

Part 1: 15th-20th November
Finissage 19th November 12-5pm

Part 2: 22nd-27th November
Finissage 26th November 12-5pm

For more exhibition information: www.instagram.com/materialpresence

Birds Are The Opposite of Time by Joy C Martindale, Acrylic on Paper, 28x38cm
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Art, Event, exhibition, Joy C Martindale, painting

Group Show at Nunnery Gallery

Save The Date!

Coming very soon: I will be showing new work in a group show at Nunnery Gallery 🦜

In Response 

31/08/2021 – 05/09/2021

Nunnery Gallery
181 Bow Road, London, E3 2SJ

Private View: Thursday 2nd September 6-9pm

🦜In Response is the first group show of new paintings by 29 London artists from the 2020/21 Turps Correspondence Course.🦜

See gallery website for exhibition opening times http://www.bowarts.org

@bowarts

#contemporaryart#contemporarypainting#contemporarybritishpainting
#newwork#londonartshow#paintingshow#arte#galerie#gallery#artcollector#artintheUK#londonart#freeentrylondon#firstthursday#newexhibition#paintingtoday#Nunnery

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Discussion, Joy C Martindale, New Work, painting

Plumb Line

Image 1: Untitled by Joy C Martindale (April 2021), acrylic on paper, 36x26cm

Looking at this painting sketch I am reminded of Joan Mitchell. In many of her works you will find a central trunk like form and growing out from this limbs of paint that are comparable to the boughs of a tree. 

Consider for example Bracket (by Joan Mitchell, 1989). Prudence Peiffer describes this set of relationships and their effect aptly as ‘like a top, these vertical lines centre the work’s spin’* and Joan Mitchell herself talks of a plumb line. ‘I want them to hold one image ‘ she said, ‘despite all the activity. It’s a kind of plumb line dancers have’**

Image 2

Image 3
Image 4
Image 5
Image 6

Image 1: Untitled by Joy C Martindale (April 2021), 36x26cm

Image 2: Brackett (1989) Oil on canvas by Joan Mitchell, Image sourced from joanmitchellfoundation.org

Images 3,4,5 and 6 pages from Joan Mitchell, Selected Paintings, The Presence of an Absence, Essay by Nathan Kernan, Cheim and Read, New York 2002

*http://www.artforum.com/print/reviews/201701/joan-mitchell-65439

**Marcia Tucker, Joan Mitchell, (exhibition catalogue) New York: Whitney Museum of American Art, 1974), p9

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Art, Article, Discussion, Joy C Martindale, Mental Health, New Work, painting

Happy International Day of Happiness to Everyone

Slightly Happier (Dec 2020), gouache and acrylic on paper, by Joy C Martindale, 41 x 31cm

When was the last time you felt happy?

My children have just discovered The Fresh Prince of Bel-Air and I felt happy when I laughed myself into hysterics at a funny scene. Does that count?

I felt happy yesterday when I was on a train reading a magazine. I was reading that visitors to the artist Lala Rukh’s house were greeted by ‘two unmistakable seasonal smells: in winter, log-fire smoke and in summer, jasmine and lime wafting in from the garden.’* One sentence was enough to transport me there. The feeling of happiness that came with it was strong but momentary, does that count? In this strange and unsettling time, which has impacted on every aspect of our lives, I think it has to.

I think it is possible to equate positive emotional experiences – those little, everyday mood boosting moments that bring us joy – to happiness. Before the pandemic, perhaps happiness was something that shined with promise on the horizon; a state of being that could be obtained if we worked hard enough for it, but now when the future has become an unknown quantity and our focus has been pulled up short, it is our day-to-day experiences that we feel most acutely attuned to. With this has come a greater awareness of our moods and the fleetingness of them. Think of all the moods you can be in all in one day – an anxious mood, a sad mood, an angry mood, a calm mood, a dreamy mood and so on. Something positive that can come out of this imposed day-to-day existence could be the realisation that if we can let go of the pursuit of happiness as a panacea, we may become more open to acknowledging those nuggets of happiness we are already experiencing in our everyday lives.

So, even when we might feel sad, lonely, anxious or unhappy as we have probably all felt at some point during the pandemic, it is possible to experience happiness as part of these emotional experiences too.

More reading: Dr Daisy Fancourt and Research Fellow Alex Bradbury (UCL Epidemiology & Health) have tracked the everyday experiences of 70,000 people asking them each week how they are feeling.  

https://www.ucl.ac.uk/news/2021/feb/analysis-we-asked-70000-people-how-coronavirus-affected-them

*Quote taken from Lives of the Artists: Lala Rukh By Mariah Lookman. Tate Etc Issue 48, P108

Scott Mills ‘This is Scott Mills on R1. How much do you love this?’ (talking about Jerusalem (Remix) by Master KG) 

Chris Stark: ‘Oh mate, every time this comes on, I feel slightly happier. And that’s a good thing.”

Scott Mills: ‘That’s kind of important right now.’ (04/11/2020)

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Art, Joy C Martindale, New Work, painting, Personal histories

Sing To Me (2021)

Sing To Me II (2021)
Sing To Me I (2021)

In my current practice I am exploring the act of making art as a liberating gesture. The title ‘Sing To Me‘ refers to the essential escapism music has provided me during the Covid-19 lockdowns. The various positive sensations of pleasure, calm, elation and catharsis listening to music gives me, as I paint and draw in my studio collide and combine with all the other sensations I am experiencing at that moment and are translated directly into my painting. From music – to my body and mind’s response – to the painting, to the viewer experiencing the work, is a chain of sensations. These chains of sensations connect us to each other and help us make sense of our realities, as Haruki Murakami explains so eloquently here:

“Because memory and sensations are so uncertain, so biased, we always rely on a certain reality-call it an alternate reality-to prove the reality of events. To what extent facts we recognize as such really are as they seem, and to what extent these are facts merely because we label them as such, is an impossible distinction to draw. Therefore, in order to pin down reality as reality, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the very maintenance of this chain that produces the sensation that we are actually here, that we ourselves exist.”Haruki Murakami, South of the Border, West of the Sun

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Art, Community, Event, exhibition, fabric, Joy C Martindale, New Work

Trailblazers

Trailblazers-eflyer

Trailblazers

Exhibition Announcement! Visit Walmer Castle in Kent to see my show Trailblazers.

Trailblazers is a new participatory artwork – the exciting outcome of my project working with young people who are supported by Kent Refugee Action Network (KRAN).

Trailblazers

29th February – 19th April 2020

Walmer Castle

Kingsdown Road, Walmer, Deal, Kent, CT14 7LJ

This project has been funded by a National Lottery Arts Council Project grant and National Lottery Heritage Funding, and forms part of English Heritage’s Re-Discovering Walmer’s Lost Pleasure Grounds project.

 

 

 

 

 

 

 

 

 

 

 

 

 

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Art, Event, exhibition, Joy C Martindale

SAVAGE 2020 Exhibition

Family (2017-19) by Joy C Martindale

I’m showing new work in the Savage 2020 exhibition. PV 21st January at St Pancras Crypt, 165 Euston Road, Bloomsbury, NW1 2BA 6-9pm.

🌟 ‘Showcasing 20 fantastic UCL artists, there’ll be performance, video screenings, installation, live music and a subsidised bar. Don’t miss it.’ Savage Journal🌟

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Art, contemporary use of textiles, fabric, Joy C Martindale, New Work, Personal histories, Textiles

Happy International Women’s Day 2018

DSC_2486

Untitled (2017) Joy C Martindale

I’m proud to support International Women’s Day and add my voice to the growing movement campaigning for an end to violence against women and children worldwide.

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